Early last month, Robert Downey, Jr. announced that he would produce and star in a new Perry Mason film:
Click here for the entire Fandango article.
For fans of Erle Stanley Gardner’s lawyer-detective Perry Mason, this can either be exciting or distressing news; it depends on how much of a purist you are. Either way, a 2012 revival of the 30’s icon is certainly a testament to the enduring quality of Gardner’s creation. Check out my May 2011 post about Perry Mason for cool details about the detective and his creator, Erle Stanley Gardner.
Gardner wrote over 80 Perry Mason novels. How does an author produce so many, without repetition of storyline and elements?
One answer, of course, is that Gardner followed a formula: the first half of the story is investigation, the second half courtroom; in the first half Mason seems to have the deck stacked against him and it doesn’t seem possible to extricate himself and his client, yet by the end of the second half there’s a twist and – voila! Mason’s on top once again. As much as folks disparage the use of formula, it helps build the brand for a series like Perry Mason.
But another surprising reason for the prolific storylines is Garder’s use of plot wheels. Take a look at these cool little tools that Erle Stanley Gardner put to use in writing his novels. Source for the following images: Teaching the American 20s
For more on Gardner’s use of plot wheels, and other writing strategies he employed, take a look at the following:
Secrets of the World’s Best-Selling Writer: the Storytelling Techniques of Erle Stanley Gardner by Francis and Roberta Fugate, 1980 (before J.K. Rowling, obviously).
So what do you think of an author using plot wheels to decide on combinations of plot elements? Too arbitrary? Not necessary until one has written dozens of novels with the same characters? I’d love to hear from you.
Just for fun, I leave you with a clip from “The Case of the Shoplifter’s Shoe” (with Leonard Nimoy as guest star):
Until next time,